Eldur fuTark tIp
fontz
rItiN wiT runz iz fonetik
Tu folowiN list uf run kerukturz
and Ter fonetic saundz wil gId ju in inturpretiN modurn iNlish riten juziN runz
it iz also importunt tu
rimembur Tat Ter ar mor run karakturz Tan juzd hir
in Tis list I am limited tu Tu
runz in Tu tIp font I am JusiN
for Tu konwiniens uf ridurz Tu
list folowz Tu ordur uf Tu iNglish alfubet raTur Tan Tu tradishunal fuTark
ordur
wi also wil point aut Tat Ter iz
no punkchueshun in aur runic script
raTur wi start itch sentens wiT
e nu lIn
also pliz kip in mInd Tat mani
uf Tu runz kan bi mad in mor Tan wun wej
sum uf Tu werieshunz ar
discrIbd bilow but mani mor can bi faund in ani buk on runz
a the
‘a’ sound as in cat, car, and saw.
B the
‘b’ sound as in boy.
K the
‘k’ sound as in cat, king, lick, liquor, and quick.
D the
‘d’ sound as in dog, day, and clod.
E the ‘e’ sound
as in beg or end; the ‘a’ sound as in late or braid.
F the ‘f’ sound as
in fat, photo, or laugh.
G the ‘g’ sound as
in go or rig.
H the ‘h’ sound as
in how, hill, or who. This character is
also made facing in the opposite direction; that is, with the diagonal line in
the middle slanting upward from left to right.
i the ‘i’ sound as
in sit; the ‘e’ sound as in tree
j the ‘j’ sound
as in jump; the ‘g’ sound as in judge; the ‘y’ sound as in yellow. This character is also made facing the
opposite direction; that is, with the upper part open to the right and the
lower part open to the left.
L the ‘l’ sound
as in leg or tell.
M the ‘m’ sound
as in man or summer.
n the ‘n’ sound as
in now or runner.
O the ‘o’ sound as
in go, for, on, or John.
P the ‘p’ sound as
in palm or slap.
R the ‘r’ sound as
in red or order.
S the ‘s’ sound as
in sun or ice. This character is also
made with the upper and lower lines
vertical and the connecting line slanting upward diagonally from left to right.
t the ‘t’ sound as
in too or rotten.
U the ‘u’ sound as
in up; the ‘oo’ sound as in foot or boot; the ‘u’ sound as in fur or pure. This is one of the most frequently used runic
characters.
W the ‘v’ sound as
in vine or river; the ‘w’ sound as in wind; the ‘f’ sound as in of.
I the ‘y’ sound as
in sky; the ‘I’ sound as in nice or time.
Z the ‘z’ sound as
in zoo, runs, cousin, is, or reason.
T the ‘th’ sound
as in the, they rather, and them.
N the ‘ng’ sound
as in sing, running, and English.
In
addition to these single character sounds, there are several character
combinations used in much the same way that they are used in the English
alphabet.
au the ‘ow’ sound as in cow, how, and
sound.
Oi the ‘oi’ sound as in noise or boy.
tch the ‘ch’ sound as in church, witch,
catch, or rich. Some runic writings
invert the character that makes the ‘z’ sound for the ‘ch’ sound.
Sh the ‘sh’ sound as in hush, shoulder, or
shot.
Zh the ‘s’ sound as in vision.
Because
runes are phonetic, different regional accents may result in spelling variations. The context is often the best clue to the
word represented by the runes used.
Double letters (like the double ‘t’ in letters) are rare in runic
script. When they do appear, each will be pronounced, though two different
sounds may be represented. For example, ‘being’ in runic script appears as
follows:
biiN
The
first i is the long ‘e’
sound and the second the short ‘i’ sound, with both being clearly
pronounced. There are no silent
runes. Where in English, a silent letter
may determine the way a proceeding or following letter is pronounce, in runes
every letter stands on its own. This
also leads to spelling variations. For
example, some writers will write the English word ‘may’ with just two
characters, me while other writers will use three, mej to reflect the
way that they hear and speak the word.
While these variations can be challenging, they also are part of the fun
of ‘breaking the code’ and understanding English transliterated into runic
script.
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